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The ultimate guide to the best Thunderbolt 3 audio interface to maximize your music production.

If you’re a music producer, DJ, or looking for professional audio performance from your computer, you need more powerful hardware than the built-in sound card in your PC. Audio interfaces improve the sonic capabilities of a computer and let you connect different music appliances such as microphones, keyboards, guitars, and other kinds of signals.

In this article, we review the best audio interfaces in the market that support Thunderbolt 3.

Why Thunderbolt 3 Audio Interface?

Audio interfaces connect to your computer using standard USB ports, Firewire, PCI, or even PCMCIA slots. However, some of the connectivity slots are quickly becoming obsolete as new protocols hit the market. The new MacBook only ship with Thunderbolt 3 ports, which means you cannot connect audio interfaces with Firewire or legacy USB ports unless you are ready to spend on dongles.

Thunderbolt 3 is not only future proof but also perfect for commercial and demanding music production, especially when connecting multiple instruments simultaneously, thanks to its higher 40Gbps bandwidth.

Like any Thunderbolt 3 device, you can daisy-chain up to six Tb3 audio interfaces for superior recording, mixing, and music production. Tb3 is the perfect option for sound engineers who are looking for crystal clear sound quality and minimal latency during the recording and production process.

Choosing a Thunderbolt 3 Audio Interface

Audio interfaces aren’t the same. Depending on the needs of your production workspace, there are specific features that you should consider to get the best from the tb3 audio interface. What’s important is to first determine the use of the audio interface to prevent paying for premium features that you don’t need in your studio.

Number of inputs/outputs

The number of inputs and outputs depends on the kind of work you’re going to use with the audio interface. If you’re going to record audio with multiple professional microphones, you need an audio interface with more than one XLR microphone inputs. However, for recording voice-overs, a single XLR input should be enough.

Besides XLR inputs, tools such as keyboards connect to your audio interface using line-level TRS inputs. Line level inputs are desirable than XLR mic inputs because they’re good at rejecting noise and don’t need amplification to get excellent sound quality. Microphones, on the other hand, output weak signals; as such, you will need an audio interface with onboard preamplifiers to boost the signal for superior sound quality.

High-end audio interfaces feature combo inputs, which is a combination of both three-pin XLR input and a 1/4″ TRS input. With this, you can connect your professional mics and other appliances, such as keyboards, on the same port.

For DJs and game developers, the number of line-level outputs is very significant in the production process. Always select an audio interface with at least four line-level outputs for deejaying. With this, you can use two outputs for your stereo speakers and two outputs to connect headsets for cueing songs.

Surround sound is critical in gaming. When producing audio for video games, you need up to eight outputs to achieve a real 7.1 surround sound setup. With this, you can connect seven surround sound speakers and a subwoofer, or settle for 5.1 surround sound if the audio interface provides up to line level outputs.

Please note that the more inputs you have, the more electronic types of equipment you can use simultaneously. Multiple mic-level slots allow you to record using several mics, in case of a band, and numerous line-level inputs let you connect different equipment such as mixing desks, CD/DVD players, synthesizers, and preamplifiers.

Phantom Power and Why It’s Important

There are different kinds of mics available. Some operate without power, while others rely on batteries and electricity from the host to pick up sound. Phantom power is the power from audio interfaces that mics rely on to record sound. Therefore, if you have mics that require electricity to operate, choose an audio interface that supports phantom power (48V PH Power).

Thunderbolt 3 Audio Interfaces Compared

ImageProduct NameDetailsCheck Price
Universal Audio Apollo x8PSpecs: 16 x 22 Simultaneous I/O, 24-bit/192kHz A/D Resolution, 7.1 Surround sound
Preamps: 8 x mic, 48V Phantom
Built in DSP: 6 x UAD DSP Cores
Analog Inputs: 8 x combo (mic/line), 2 x 1/4″ (Hi-Z), 1 x DB25 (8 x line)
Analog Outputs: 2 x 1/4″ (monitor), 1 x DB25 (8 x line)
Digital Inputs: 2 x Optical (ADAT/SMUX)
Digital Output: 2 x Optical (ADAT/SMUX)
Headphone: 2 x 1/4″
MIDI I/O: N/A
Word clock I/O: In/Out
Thunderbolt 3: 2
Mac: macOS 10.12 or later
PC: Windows 10 64-bit
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Universal Audio Apollo x6Specs: 16 x 22 Simultaneous I/O, 24-bit/192kHz A/D Resolution, 5.1 Surround sound
Preamps: 2 x mic, 48V Phantom
Built in DSP: 6 x UAD DSP Cores
Analog Inputs: 2 x mic (XLR), 2 x 1/4″ (Hi-Z), 6 x line (1/4″)
Analog Output: 2 x 1/4″ (monitor), 6 x 1/4″
Digital Inputs: 2 x Optical (ADAT/SMUX), 1 x SPDIF
Digital Outputs: 2 x Optical (ADAT/SMUX), 1 x SPDIF
Headphone: 2 x 1/4″
MIDI I/O: N/A
Word clock I/O: In/Out
Thunderbolt 3: 2
Mac: macOS 10.12 or later
PC: Windows 10 64-bit
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Universal Audio Apollo x8Specs: 18 x 24 Simultaneous I/O, 24-bit/192kHz A/D Resolution, 7.1 Surround sound
Preamps: 4 x mic, 48V Phantom
Built in DSP: 6 x UAD DSP Cores
Analog Inputs: 2 x Hi-Z (1/4″), 4 x XLR (mic), 8 x line (1/4″)
Analog Output: 2 x 1/4″ (monitor), 8 x 1/4″ (line)
Digital Inputs: 2 x Optical (ADAT/SMUX), 1 x SPDIF
Digital Outputs: 2 x Optical (ADAT/SMUX), 1 x SPDIF
Headphone: 2 x 1/4″
MIDI I/O: N/A
Word clock I/O: In/Out
Thunderbolt 3: 2
Mac: macOS 10.12 or later
PC: Windows 10 64-bit
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Universal Audio Apollo x16Specs: 18 x 20 Simultaneous I/O, 24-bit/192kHz A/D Resolution, 7.1 Surround sound
Preamps: N/A
Built in DSP: 6 x UAD DSP Cores
Analog Inputs: 16 x line-level (DB25)
Analog Output: 2 x XLR (monitor), 16 x line-level (DB25)
Digital Inputs: 1 x XLR (AES/EBU)
Digital Outputs: 1 x XLR (AES/EBU)
Headphone: N/A
MIDI I/O: N/A
Word clock I/O: In/Out
Thunderbolt 3: 2
Mac: macOS 10.12 or later
PC: Windows 10 64-bit
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Universal Audio ArrowSpecs: 2 x 4 Simultaneous I/O, 24-bit/192kHz A/D Resolution
Preamps: 2 x mic, 48V Phantom
Built in DSP: UAD Plug-in Emulations
Analog Inputs: 2 x combo (mic/line), 1 x 1/4″ (Hi-Z)
Analog Outputs: 2 x 1/4″
Digital Inputs: N/A
Digital Output: N/A
Headphone: 1 x 1/4″ TRS
MIDI I/O: N/A
Word clock I/O: N/A
Thunderbolt 3: 1
Mac: macOS 10.12 or later
PC: Windows 10 64-bit
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Universal Audio Apollo Twin X Specs: 10 x 6 Simultaneous I/O, 24-bit/192kHz A/D Resolution
Preamps: 2 x mic, 48V Phantom
Built in DSP: UAD-2 Duo Core Processing
Analog Inputs: 2 x combo (mic/line), 1 x 1/4″ (Hi-Z)
Analog Output: 2 x 1/4″ (monitor), 2 x 1/4″ (line)
Digital Inputs: 1 x Optical (ADAT/SMUX)
Digital Outputs: N/A
Headphone: 1 x 1/4″ TRS
MIDI I/O: N/A
Word clock I/O: N/A
Thunderbolt 3: 1
Mac: macOS 10.12 or later
PC: Windows 10 64-bit
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PreSonus Quantum 2626Specs: 26 x 26 Simultaneous I/O, Up to 24-bit/192kHz A/D Resolution
Preamps: 8 x mic, 48V Phantom
Built in DSP/FX: N/A
Analog Inputs: 2 x XLR-1/4″ combo (mic/Hi-Z), 6 x combo (mic/line), 2 x 1/4″ (return)
Analog Output: 8 x 1/4″ TRS, 2 x 1/4″ (stereo monitor), 2 x 1/4″ (preamp out)
Digital Input: 2 x Optical (ADAT/SMUX), 1 x S/PDIF
Digital Output: 2 x Optical (ADAT/SMUX), 1 x SPDIF
Headphone: 2 x 1/4″
MIDI I/O: In/Out
Word Clock I/O: In/Out
Thunderbolt 3: 1
Mac: OS X 10.11.6 or later, 64-bit
PC: Windows 10 or later, 64-bit
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1. Universal Audio Apollo x8P – Best Thunderbolt 3 Audio Interface

The Apollo x8P is the best Thunderbolt 3 audio interface overall with eight unison mic preamps, HEXA-core DSP, and up to 7.1 surround sound monitoring.

Apollo x8P is an audio interface for professionals looking to build a state-of-the-art studio for epic recording and mixing. This audio interface excels in both I/O and processing power, which lets you use demanding UAD plugins. Powered by thunderbolt 3, the Apollo x8P is compatible with the latest Macs and TB3 PCs.

Processing Power

Apollo x8P features a Hexa-core processor with six DSP cores to provide more processing power for seamless recording and conversions. Unlike the built-in sound cards, this six-core processor lets you tackle demanding and complex recording and post-production tasks. You can run multiple UAD plugins or perform real-time tracking using Manley, API, or other channel strips.

Elite-Class A/D and D/A Conversion for Ultra-pristine Sound

Sound quality is critical when choosing an audio interface. As a market leader for cutting-edge audio interfaces, Universal Audio implemented high-end AD/DA technology for the best and immaculate sound quality. Apollo x8P features 24-bit/192 kHz converters with new analog circuitry for the best in class sound quality. Enjoy precise audio, just like it comes from your musical instruments.

To take your conversion to the next level, Apollo x8P comes with Dual-Crystal clocking, which provides discrete crystals for 44.1/88.2/176.4k and 48/96/192k sample rates. The two dedicated crystals ensure stable clocking and incredibly lower jitter, less than ten picoseconds, for pristine and artifact-free recordings you can rely on for the best audio production.

Input and Output Slots

Apollo x8p comes with 16 x 22 simultaneous inputs/outputs to connect your musical instruments and monitor speakers. Onboard eight Unison mic preamps provide audio amplification when recoding via microphones. The eight Unison inputs are a combination of XLR/TRS jacks, which lets you connect mics or line-level input devices. Apollo x8p also provides 8 x 8 analog line-level I/O via DB25 two connectors.

With two Thunderbolt 3 slots, you can daisy-chain up to four Apollo audio interfaces for more bandwidth and processing power to create an epic studio setup.

Surround Sound and Artist Talkback

If the Hexa-core processor and eight preamps weren’t okay, the Apollo x8p offers support for 7.1 surround sound monitoring. 7.1 surround is an excellent feature, mainly when producing music for video games. The front panel features a Talkback mic for easy communication with the artist or voice over talent.

OUR TAKE
Premium and pricey; the Apollo x8p is the ultimate dream for professional music engineers looking to produce landmark records and hits. While it comes in a high price tag, the Apollo x8p is worth every penny. It is powerful, with six UAD DSP chips, while its cutting-edge A/D and D/A conversion offers the crispest and pristine sound with the lowest noise available.

Apollo x8p works with the latest Macs and PCs with Thunderbolt 3 connectivity. There are plenty of input and output slots to connect your instruments and mics and light your studio with this powerful Thunderbolt 3 audio interface.

PROS

  • Powerful six-core processor
  • Eight mic-enabled preamps
  • Support for 7.1 surround sound
  • Integrated talkback mic
  • Excellent audio quality
  • Two Thunderbolt 3 ports
  • Included plugins bundle
  • Best in class A/D and D/A conversion
CONS

  • Pricey
 

2. Universal Audio Apollo x6 – Thunderbolt 3 Audio Interface for Electronic Music and Post Production

The new Apollo x6 features next-gen audio I/O circuitry, powerful HEXA-core processor, mic preamps, excellent selection of plugins to take your electronic music production, and post-production work to the next level.

The x6 is designed for high-resolution audio recording and mixing in a modern studio or any mobile production workspace. It may score lower than the Apollo x8p, but it provides high-end specs for an audio interface in its class. The front panel features a metering window, controls, Hi-Z instruments inputs, and two headphone outputs. Like the x8p, the Apollo x6 also comes with a talkback mic you can use to communicate with the recording artist.

Inputs and Outputs

The Apollo x6 audio interface has plenty of ports for your instruments and mics. There are two Unison mic inputs with enabled microphone preamplifiers, which provide real-time emulations of Neve, API, Manley, and SSL preamps, amongst others. Each of the two unison slots features 48V phantom power and a switchable low-cut filter.

Besides, the mic inputs are six line-level inputs and eight line-level outputs, with two dedicated for stereo monitor feeds. The digital I/O includes SPDIF I/O and two ADAT ports. You can daisy-chain up to four audio interfaces and other tb3 instruments for more I/O and power.

Processing Power

Onboard the Apollo x6 is a HEXA core processor with six DSP chips to provide more power for mixing and recording audio using ideal analog emulation and UAD plugins. With included 16 plugins, you can mix with countless plugins of your choice without worrying about a dip in performance. Besides the hardware, Apollo x6 ships with excellent console software, providing an intuitive interface to manage your preamps, plugins, and channel strips for the desired audio quality.

Elite-Class A/D and D/A Conversion and Surround Sound

The Apollo x6 features the same audio conversions features like the x8p variant. It supports 24-bit/192 kHz converters for original and pristine signals. It has a wide dynamic range and low jitter thanks to the Dual-Crystal clocking, which provides the best in class audio with minimum noise.

The x6, however, falls under the x8p in terms of surround sound support. With only six line-level outputs, Apollo x6 supports up to 5.1 surround sound monitoring, which is excellent for positional and immersive audio.

OUR TAKE
Spending big bucks does not guarantee the best value. The Apollo x6 costs less than the x8p but provides excellent specs for modern and state of the art studios. It has a powerful six-core processor, which can take on a high number of plugins for demanding recording and production work.

The inputs are impressive with two preamps and several line-level I/O for instruments such as guitars and keyboards. The conversion and analog circuitry in this audio interface produce the best sound quality to give another interface a run for their money.

PROS

  • Powerful six-core processor
  • Two mic inputs with preamps and phantom power
  • Excellent selection of inputs and outputs
  • Included high-end plugins
  • Onboard DSP processing
  • Supports daisy-chaining up to four Apollos
  • 5.1 surround sound mixing
CONS

  • Still expensive
  • Odd channel count for general-purpose use
 

3. Universal Audio Apollo x8 – Best Thunderbolt 3 Audio Interface for Music Production

A significant upgrade to the Apollo x6 but nowhere near the Apollo x8p.

The Apollo x8 is an 18×24 Thunderbolt 3 audio interface that targets industry-leading music production with top-notch A/D and D/A conversion, six-core DSP chips, and an excellent selection input and output slots.

The overall board has a robust and elegant build design, and you can easily mount it on a rack. The front panel gives access to two Hi-Z inputs, headphone jack slots, and metering screen, and controls for preamp and monitors. You can switch phantom power on/off, depending on the type of mics you’re using.

Inputs and Outputs

Onboard the Apollo x8, is a wide selection of I/O slots for your mic and line-level signals. It has four preamp-enabled unison inputs that offer real emulations of preamps from Neve, Manley, and other plugins. The four Unison inputs let you record with multiple microphones, ideal in a band setting music production.

There are 8 x 8 analog line-level I/O 1/4″ TRS jacks and two Stereo 1/4″ for monitor output, making a total of 18 line-level I/O. Other I/O includes two S/PDIF, two Word clock, two Thunderbolt 3, four ADAT ports with support S/MUX.

Eight line-level outputs let you hook up to eight speakers in a 7.1 surround sound setup and produce precise positional audio for video games.

Processing Power

The x8 comes with HEXA Core UAD plugin processing like the other Apollos in this review. With six DSP chips at your service, you can push the Apollo x8 to its limits for precise and immaculate audio recording and mixing. It has two dedicated crystals for 44.1/88.2/176.4k and 48/96/192k sample rates, while the 129-dB dynamic range and -119 dB THD+N gives your records a natural and original sound quality.

OUR TAKE
The Apollo x8 is another fantastic audio interface from Universal Audio. It packs a six-core processor and high-resolution A/D-D/A conversion like the x8p and x6. The I/O is on point with four mic combo inputs with preamp and 8 x 8 line-level I/O. With 7.1 surround sound monitoring and plenty of UAD plugins onboard, the Apollo x8 provides excellent value for its price.
PROS

  • Excellent performance
  • Four XLR/TRS inputs for multiple mic recording
  • Supports 7.1 surround sound monitoring
  • Best in class A/D-D/A conversion
  • High-end plugins included
  • Talkback microphone
CONS

  • Expensive
 

4. Universal Audio Apollo x16 – Thunderbolt 3 Audio Interface for Commercial Studios

Apollo x16 is an audio interface solution for commercial studios and demanding production work, thanks to the remarkable 16 channels I/O.

If you’re looking for power and more input/output slots, the Apollo x16 is here for you. The Apollo x16 comes with incredibly 16 x 16 analog line-level I/O via four DB25 connectors, stereo XLR monitor outputs, and two-channel XLR ports for AES/EBU. With 16 line-level output slots, you can set up a real 7.1 surround sound system and remain with enough slots to connect monitors and other output devices.

One of the disadvantages of the Apollo x16 is that it does not support mic preamps like the other x8p and x6 Apollo audio interfaces.

Apollo x16 maintains the standard Apollo design with metering support and an integrated talkback mic in the front panel. It is rack-mountable and occupies 1 RU of rack space. However, there is no headphone output slots nor optical S/PDIF and Hi-Z I/O.

Processing Power

There are no many upgrades in terms of processor and performance. The Apollo x16 still maintains the HEXA core processor with six DSP chips, like in the Apollo x8p. It is the best processing power you can get in an audio interface that lets you track, overdub, and mix with the best in class A/D and D/A conversion and UAD plugins.

Onboard, you get the flagship 24-bit/192 kHz converters and Dual-Crystal clocking for artifact-free recording and excellent sound quality. The Apollo x16 succeeds in the quality of sound, and thanks to the ability to use different UAD plugins, your imagination is the only limit.

OUR TAKE
The Apollo x16 solves your commercial studio solution with just one interface. The 16 x 16 line-level I/O provides the same number of analog inputs/outputs you’ll have with two Apollo x8p or x8 audio interfaces. The biggest highlight of the Apollo x16 is the increased number of line-level I/O compared to the other audio interfaces.

The only downsides are that it doesn’t support mic preamps and ships with limited digital I/O. However, everything from the processing power to conversions and UAD plugins is remarkable. The Apollo x16 fits well in a commercial studio or when working with various music equipment.

PROS

  • Apollo x16 has the highest number of line-level I/O in a tb3 audio interface yet
  • Improved processing power with six DSP chips
  • Support 7.1 surround sound monitoring
  • Industry-leading A/D and D/A converters
  • Included high-end UAD plugins
CONS

  • A limited number of digital I/O
  • No mic preamps
  • Expensive
 

5. Universal Audio Arrow – Cheapest Thunderbolt Audio Interface

The World’s first Thunderbolt 3 audio interface still has a lot to offer in the music production industry.

While the other tb3 audio interfaces cost thousands, the Arrow audio interface provides excellent specs to make hit records on a budget. The Arrow audio interface features two Unison mic preamps, which let you fine-tune your recording to the desired preamps of Neve, API, or any plugin. The Unison ports offer a combination of mic-level XLR and line-level input ports. Other ports include a headphone jack, two line-level outputs, and a designated TRS (Hi-Z) input for guitars and basses.

Processing Power

Arrow comes with a UAD-2 SOLO Core processor, which lets you run your favorite plugins. It is not as powerful as the HEXA core processor in the Apollo x versions, but it is great for home studio and running a few plugins. While the Arrow is available on a budget, it still comes with a plugin suite to convert your recordings to high-quality audio.

UAD plugins are cost-effective and eliminate the need to spend on expensive hardware and racks for your equipment. The plugins can transform your recordings to the desired audio quality with sonic variety, just like you can get with high-end gear in the studio.

OUR TAKE
For a budget audio interface with mic preamps, line-level I/O, and Thunderbolt 3 support, the Universal Audio Arrow provides excellent value for your money. Onboard, you get 2×2 analog I/O, two XLR mic input, a headphone slot, and TRS jack for guitars and basses. It is not as powerful as the other high-end audio interfaces, but it enough or a start. If you’re looking to venture into the music recording industry, the Arrow audio interface should be your starting spot.
PROS

  • Cheap and affordable compared to the other Apollo x series
  • Provides two mic preamp inputs
  • Comes with UAD plugins
  • Smart I/O selection with Thunderbolt
CONS

  • Does not support surround sound
  • A limited number of I/O
 

6. Universal Audio Apollo Twin X – Best Thunderbolt Recording Interface for Mac and Windows

With two mic preamps, a varied selection of I/O, and tb3 support, the Apollo Twin X provides excellent sonic capabilities to your Mac or PC at unbeatable prices.

The Apollo Twin X has a minimalist build design, yet Universal Audio managed to metering screen and several controls on the main panel. Twin X features two Unison-enabled mic preamps (mic and line combo) for recording mics or line-level input signals such as keyboards.

Onboard, you will also find stereo 1/4″ TRS monitor output, two TRS line-level outputs, a 1/4 headphone output, and one dedicated Hi-Z input for direct connection of bass or guitar and other devices. The Twin X doesn’t have many digital I/O; however, there is one optical input that supports up to eight channels.

With Thunderbolt 3, you can daisy-chain up to four Apollo audio interfaces or six UAD-2 devices should you need more power and inputs for your studio.

Processing Power

UAD-2 Duo Core Processing provides real-time UAD plugin processing and tracking with included Teletronix LA-2Aand 1176 compressors, Pultec EQs, amongst others. Twin X also features the next-gen A/D and D/A converters to provide exceptional audio conversion and mixing. It has a wide 127 dB dynamic range and -117 dB THD+N for immaculate and noise-free sound.

OUR TAKE
Upgrade the Twin X with a six-core DSP and more i/o, and you get Apollo x8p or even x16. Twin X is an excellent audio interface with all the essential i/o and features such as mic preamps. The number of inputs and outputs aren’t that impressive but matches its lower price tag compared to the premium audio interfaces. It is an excellent audio interface for home and even commercial studio settings, considering you can daisy-chain with other tb3 audio interfaces for more I/O and bandwidth.
PROS

  • Two mic level inputs with preamps
  • Included UAD plugins
  • Upgraded elite-class AD/DA conversion
  • Talkback mic for easy communication
  • On the affordable side
CONS

  • The six-core processing is way better
  • A limited number of ports
 

7. PreSonus Quantum 2626 – Best Value Thunderbolt Audio Interface

The only Thunderbolt 3 audio interface that isn’t from Universal Audio provides excellent specs at an unbeatable price.

Universal Audio interfaces are expensive, mainly because of the onboard plugins. The PreSonus Quantum 2626 audio interface has a lower price tag yet provides a lot of input and output slots, and a complete Studio Magic Plug-in Suite.

The PreSonus Quantum 2626 features a rackmount form factor, occupying 1U of rack space. Unlike the Apollos, this audio interface doesn’t have metering capabilities; instead, the front panel houses eight pristine XMAX mic preamps, headphone slots, and several controls. Two of the mic preamps are a combination of XLR mic and Hi-Z connectors, while the other six are mic/line combos.

Inputs and Outputs

The back panel provides access to even more I/O to connect your instruments and output devices. There are two 1/4″ TRS preamp out slots, two-line return ports, stereo monitor output, and eight-line outputs for your monitor speakers and other hardware.

PreSonus Quantum 2626 is the only Thunderbolt 3 audio interface that comes with MIDI input and output ports, which lets you connect old-school controller, synth module, or any compatible hardware.

Other digital connectivity slots include S/PDIF I/O, Wordclock, 2×2 Optical Toslink (ADAT/SMUX) I/O, and a single Thunderbolt 3 port. PreSonus Quantum 2626 provides the most versatile number of ports than the other audio interfaces in this review.

Fastest Thunderbolt 3 Audio Interface?

PreSonus Quantum 2626 has outstanding speeds and ultra-lower (less than 1ms) latency without any compromise in the audio quality. Whether you’re tracking using monitor speakers or headphones, you can hear voice instantly thanks to the blazing-speed and fast tb3 bandwidth.

The quality of sound is impressive with low jitter and near-zero distortion, providing crisp and pristine audio quality for hit records. PreSonus Quantum 2626 operates up to 192kHz for high definition mixing and recording, while 115dB dynamic range ensures you capture everything to create a smooth and natural sound with no artifacts.

OUR TAKE
PreSonus Quantum 2626 comes with premium features that will otherwise cost you more in a Universal Audio interface. The choice of I/O is impressive with an additional MIDI input and output, which is unavailable in all the other audio interfaces in this review.

While it may not feature the excellent plugin suites like the Apollos, the sound quality in this audio interface is top-notch, rivaling the high-end options in the market. It is among the fastest audio interfaces in the market with incredible less than 1ms latency. This medium-priced audio interface beats the premium ones in the market, and it delivers excellent value if you ready to ditch the free UAD plugin bundles in the Apollos.

PROS

  • Incredibly low-latency performance
  • Includes talkback mic
  • Controlled mic preamps
  • Support Thunderbolt daisy-chaining up to four Quantum audio interfaces
  • Versatile selection of ports
  • Include MIDI I/O
CONS

  • No built-in DSP